THE CURRENT CHAPTER

Death's
Waltz II

Available now on every major streaming platform.

deaths-waltz-ii artwork
AUDIO ARCHIVEACTIVE TRANSMISSIONS

SPOTIFY // EXTERNAL SOURCE

Beyond the Current Chapter

The Archive

The history of NOA was never a straight line. This is where the pieces begin to connect.

2006

Founded

Formed in rural Kentucky in 2006, NOA emerged during a period when melodic metalcore, breakdown-driven songwriting, and guitar-forward heavy music were colliding into something new.

The earliest version of the band was built around raw demo recordings, local rehearsals, and a distinctly DIY approach. Many of the ideas developed during this period would eventually shape the band's first recordings and establish the musical identity that followed.

What began as a group of young musicians writing heavy songs in Kentucky became the foundation for a catalog, a history, and unfinished ideas that would survive far longer than anyone expected.

Archive Note 001EARLY RECORDINGS FROM THIS PERIOD CONTAIN MATERIAL THAT WOULD LATER BE ALTERED, ABANDONED, OR REIMAGINED.

2007

First Release

Production on NOA's first EP began in the spring of 2007 as the band continued grinding through shows and building its initial fanbase. During this period, NOA shared stages with major national acts of the era, including All That Remains and Between the Buried and Me.

Recording was completed in the fall of 2007. The finished EP was first released on CD at the legendary Mad Hatter in Covington, Kentucky — a venue that would become closely tied to the band's early growth and identity.

The CD release show featured Sea of Treachery and The Devil Wears Prada, marking one of the defining moments of NOA's original run.

Archive Note 002PHYSICAL COPIES FROM THE ORIGINAL 2007 RELEASE REMAIN IN CIRCULATION. SOURCE MATERIAL FROM THESE SESSIONS HAS BEEN PARTIALLY RECOVERED.

2008

Fracture

Throughout 2008, NOA continued to grow beyond its early local following, spending much of the year playing shows, traveling, and building on the momentum established by the band's first release.

That momentum was disrupted by the departure of original vocalist Josh. His exit represented more than a lineup change. His voice had become a defining part of NOA's original sound, and the transition that followed proved difficult for both the band and a fanbase that had grown attached to that identity.

NOA continued forward with new personnel, playing and touring throughout the following year, but the division surrounding the band's changing sound proved difficult to overcome. Without several of the core members responsible for its original identity, the momentum that had carried NOA through its early years gradually began to disappear.

Archive Note 003PERSONNEL CHANGES DURING THIS PERIOD PRODUCED MULTIPLE VERSIONS OF NOA. THE ORIGINAL CONFIGURATION WOULD NOT BE RESTORED.

2009

Collapse

By 2009, NOA was still moving forward, but the foundation beneath the band had changed. A year of lineup changes, relentless shows, and attempts to rebuild around a different identity had left the momentum increasingly difficult to sustain.

Despite the instability, the band was preparing for what should have been its largest step forward: a major national tour that would take NOA beyond the regional circuit it had spent years building. Instead, the tour was canceled before the band ever left.

It became the breaking point. With core members gone, a divided fanbase, and the opportunity that was supposed to begin NOA's next chapter suddenly erased, there was no longer enough holding the band together to continue. NOA quietly dissolved in 2009. There was no farewell show. No final release. No announcement intended to close the story. The band simply stopped.

Archive Note 004THE NATIONAL TOUR WAS NEVER COMPLETED. NO FORMAL CLOSURE OF THE PROJECT WAS RECORDED. FOR SEVENTEEN YEARS, THIS WAS THE FINAL KNOWN STATE OF NOA.

2026

Return

Seventeen years passed. Careers were built. Families grew. Lives moved forward. The venues changed, the scene changed, and the version of the world in which NOA had existed disappeared with it.

But the music never entirely did. In 2026, NOA returned—not to recreate what had ended in 2009, but to finally confront what had been left unfinished. Old ideas resurfaced alongside new material, and the sound that once defined the band became the foundation for something heavier, more deliberate, and shaped by nearly two decades of life outside of it.

The first new recordings began appearing in early 2026. Drop The Hammer marked the first transmission. The Strength of One followed, then Mozart and His Hands are That of a Superhero, but Saving the World is Hard Business. By August, Death’s Waltz II emerged as the next chapter—another new composition written collectively as the band continued building toward its first full body of work since returning. What began as an experiment in seeing whether NOA still had a place became something much larger. The audience returned. New listeners arrived. New music continued to take shape. NOA had not resumed where it left off. It had become active again.

Archive Note 005AFTER SEVENTEEN YEARS OF INACTIVITY, NEW MATERIAL WAS DETECTED IN 2026. THE ARCHIVE NO LONGER CONTAINS A COMPLETED HISTORY. RECORDING IS ONGOING.

Now

Active Record

The historical record ends here.

NOA is active. New music is being written. New material is being recorded. Performances are being prepared. What comes next no longer belongs to the recovered history of the band.

For the first time since this archive began, there is no ending to document. The next entry has not happened yet.

Archive Note 006RECORD REMAINS OPEN. NEW DATA WILL BE APPENDED AS EVENTS OCCUR. END OF AVAILABLE HISTORY.

Archive Retrieval Division

Recovered Works

Preserved recordings retrieved from the NOA archive.

NOA / RW-005 / VISUAL RECORD
PRESERVATION STATUS: STABLE
Death's Waltz II artwork

Archive Records Complete

Accessing Personnel Files

The Band

Personnel Files

The individuals responsible for every currently archived work.

PF-001 / IMAGE RECORD
Josh Trenkamp, Lead Vocalist

Personnel File 001

Josh Trenkamp

Archive review identifies the subject as the first successful personnel acquisition following the project's initial formation. Recovery interviews indicate the subject requested an immediate audition, expressing complete confidence that the position would become permanent. Session material recovered from 2006 confirms the subject entered the Archive at fifteen years of age. Despite his age, early recordings document an unusually developed vocal range accompanied by sustained low-register control that would become one of the defining characteristics of the Archive's earliest recovered material. Personnel records indicate the subject departed the project during 2008 after accepting the lead vocalist position with Sea of Treachery, temporarily concluding the subject's participation during the Archive's original operational period. Recovered correspondence repeatedly references the departure using the phrase, "He jumped ships in a Sea of Treachery," suggesting the expression became a long-standing internal joke preserved throughout subsequent production notes. Recovery records from 2026 confirm the subject's return during the Archive's renewed operational period, restoring the original vocal identity preserved throughout the project's earliest recoveries. Archive analysis identifies the subject as one of the few personnel whose recorded service spans both the original Archive era and its modern recovery sequence.

Archive DivisionFile Verified
PF-002 / IMAGE RECORD
Timothy Jaskowiak, Lead Guitar

Personnel File 002

Timothy Jaskowiak

Archive review identifies the subject as one of two founding personnel responsible for the project's earliest documented recovery efforts. Session material originating from 2006 confirms the subject entered the Archive at sixteen years of age, contributing the entirety of the lead guitar performances preserved throughout the project's original recordings. Recovered production notes repeatedly reference an intentional effort to restore the prominence of lead guitar within modern metal, emphasizing memorable solos and identifiable melodic phrasing during a period in which such elements had become increasingly uncommon. Rather than pursuing technical demonstration alone, documentation consistently reflects an objective to establish a musical identity that could be recognized independently of the project's name. Internal correspondence frequently references the phrase, "I don't want people to hear a guitar player. I want them to know exactly who they're hearing." Archive analysis identifies this philosophy as a recurring influence throughout the project's compositional development, remaining evident across both the original operational period and the Archive's modern recovery sequence. Archive review identifies the subject as maintaining the longest continuous documented association with the project, preserving creative continuity across both the original operational period and the modern recovery sequence.

Archive DivisionFile Verified
PF-003 / IMAGE RECORD
Nathan Lee Bishop, Guitar / Clean Vocals

Personnel File 003

Nathan Lee Bishop

A founding member of NOA from its earliest days, Nathan has remained one of the primary architects behind the band's sound. His affinity for the heavier edges of deathcore, combined with a diverse musical vocabulary, brought a darker and more aggressive dimension to NOA's earliest material. That influence became inseparable from the band's identity. Over the years, Nathan's imagination and Tim's writing style developed into a distinct partnership, balancing melody, technical guitar work, massive riffs, and crushing rhythmic sections to create the guitar-driven sound at the core of NOA. His contribution has never stopped at guitar. Nathan's vocals have been a defining layer of NOA since its origins, providing another dimension to the band's vocal identity that remains present in its modern reimagining today. At its foundation, some of NOA's most recognizable characteristics can be traced directly to Nathan's contributions: massive guitar arrangements, a strong influence on the band's drum writing and rhythmic structure, and an instinct for pushing songs toward something heavier without sacrificing the melody that defines them. Nearly two decades later, that influence remains fundamental to what NOA sounds like.

Archive DivisionFile Verified
PF-004 / IMAGE RECORD
Adam Montgomery, Bass Guitar

Personnel File 004

Adam Montgomery

Archive review identifies the subject as joining during the Archive's modern recovery sequence following an extended period of project inactivity. Recovery documentation indicates the subject was incorporated not to recreate the past, but to reinforce it with a stable structural foundation. Session material consistently references disciplined low-end arrangement and rhythmic cohesion as defining characteristics of the subject's contribution. Rather than altering the project's established identity, recovered production notes indicate an emphasis on strengthening its existing framework while allowing earlier creative philosophies to remain intact. Archive analysis identifies the subject as one of the first personnel entrusted with carrying the Archive beyond its original operational era and into its current recovery sequence.

Archive DivisionFile Verified
PF-005 / IMAGE RECORD
Adam Robinson, Drums

Personnel File 005

Adam Robinson

Archive review identifies the subject as entering the Archive during its renewed operational period, contributing to the first sustained recovery efforts in nearly two decades. Session documentation consistently references precision, consistency, and measured restraint throughout the recording process. Production notes indicate the subject's performances provided the rhythmic continuity necessary to translate recovered compositions into completed works. Archive analysis concludes that the subject's arrival marked the point at which recovery efforts evolved from preserved material into an active performing project, establishing the momentum required for the Archive's modern chapter.

Archive DivisionFile Verified

Supplemental File RF-006

Restricted Record

Authorization Required

Clearance level insufficient.

Restricted Access RequiredFile contents remain sealed.

Tour

Active Transmissions

Confirmed appearances will be logged here as they are received.

Status
Standby

No Active Transmissions

Dates Pending Verification
Archive Division / TX-000Next Verification: Pending

Store

Artifact Collection

A curated selection from the official NOA store. Product options, availability, and checkout are handled securely through En-Motion Entertainment.

Enter Official Store

Recovered Audio Log AL-017

Staff Archive

Staff Clearance Required

Playback unavailable.

Archive Staff RequiredAudio record remains sealed.

Inventory, sizes, shipping, and checkout remain managed by the official En-Motion storefront.

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Communication Channels

Contact

Direct channels for general inquiries, booking, venues, promoters, and live opportunities.

StatusChannels Active